He became the dean of American historians after learning his craft working five years on the staff of American Heritage.
It was a challenging couple of months after the flood, but our offices will soon be operational again.
A convenient index to the nearly 100 articles in American Heritage in 2020
In 2020 we published nearly 100 articles in nine issues, the most we have ever published in a year. Here are the articles sorted by the author of the article:
As a high school librarian, I am so pleased about your efforts to save American Heritage. I have always recommended it to our American History students for research purposes. The magazine serves a real need in education.
American Heritage, the beloved, 68-year-old magazine of history, returns to regular publication on our Nation’s Birthday, July 4, 2017.
Edwin Grosvenor and the largely volunteer staff of American Heritage Magazine are pleased to announce the digital publication of a new issue on July 4, 2017, our Nation’s birthday, several years after the magazine was forced to suspend print publication during the recession.
More than 600 donors chipped in to help fund the relaunch of the magazine.
I recently picked up a 1961 issue of American Heritage and realized the sign-up card bound into it for new subscribers had the same price ($15.00) that we were able to charge in 2012, more than a half century later.
A longtime contributor and former editor introduces the special anniversary issue
READERS, I HAVE THE honor of introducing this birthday banquet of essays on critical moments in our nation's story by some of its ablest current thinkers. I even get to follow on the distinguished heels of President John F.
Notes about the famous historian and American Heritage editor
For decades, Yale history professor David Blight, an award-winning author and a preeminent scholar of the Civil War, has studied the legacy of Bruce Catton, the historian/writer who significantly shaped our understanding of the Civil War by bringing it into exhilarating, memorable relief thro
Forty seven years ago, the president wrote for American Heritage that the study of history is no mere pastime but the means by which a nation establishes its sense of identity and purpose
AMERICAN HERITAGE PUBLISHING has just announced the launch of www.HeritageSites.us , a new website offering users information on thousands of historic sites across the United States.
It was a very bad year for Andy Richardson.
Like the nation it covers, American Heritage was revolutionary at its birth. And like that nation’s story, ours is a real cliffhanger.
It is rare for any magazine to live half a century.
WAITING FOR THE MORNING TRAIN is Bruce Catton’s memoir of his boyhood in a small Michigan town named Benzonia—an etymologically suspect word that is supposed to mean “good air.
Oliver Jensen, who was for many years the editor of this magazine and who worked with Bruce Catton from its first publication in 1954, has written this account of what it was like to have him as a colleague. We are pleased to run it here as a tribute to our late distinguished senior editor, together with some side comments from others who enjoyed the privilege of “working with Bruce Catton.”
The longtime adviser to American Heritage wrote history not simply as a means of talking with other historians, but in order to talk to the general reader.
They say a tree is best measured when it is down. Allan Nevins is gone, at last, although he seemed imperishable, and we at AMERICAN HERITAGE feel a poignant sense of loss.
In the last issue this magazine commenced regular and intensive coverage ot conservation and historic preservation, signifying our deep concern for the widely endangered physical heritage of America.
Our American heritage is greater than any one of us.
An 1857 12-pound Napolean cannon still guards the battlefield at Gettysburg. Photo by Craig M. Fildes.
The sun goes down every evening over the muzzle of a gun that has been a museum piece for nearly a century, and where there was a battlefield there is now a park, with green fields rolling west under the sunset haze to the misty blue mountain wall. You can see it all just about as it used to be, and to look at it brings up deep moods and sacred memories that are part of our American heritage.