He claimed his critics didn’t like his work because it was “too noisy,” but he didn’t care what any of them said. George Luks’s determination to paint only what interested him was his greatest strength—and his greatest weakness.
He was the most naturally gifted of The Eight, and his vigorous, uninhibited vision of city life transformed American painting at the turn of the century. In fact, he may have been too gifted.
A Classic Riddle of the Sea From an Absorbing New Book